Fun Fish in Black and White

These are from a while ago now, maybe a couple months ago, but I was going through the education list of fish illustrations they didn't have and chose my favorites to start off with. For me, pen and ink is a very calm affair, zen-like almost. Turn on the music/podcast and slowly watch a piece develop under your hands. The time frame for these illustrations was more than usual since I was just filling time between projects, so they're more detailed than I would normally get.

The best of the recent black and white illustrations:

A frogfish.
They move around on their fins like they're part walking, part hopping along the ocean floor. They're also related to anglerfish and are ambush predators with a lure on their head.



A Pacific spiny lumpsucker.
These guys always remind me of muppets. A very cute fish. Their disk shaped ventral fin lets them hold onto rocks in high tide areas.



A wolf eel.
Not truly an eel—they have pectoral fins—these guys have some brilliant orange and brown colors with blue-green eyes as babies and then turn into grey, spotted, heavy-jawed animals as adults.

As I Sail On

Here's the latest large art project I was involved in for work. It's a sail-like banner for the Aquarium's Shark Lagoon, currently hanging on the elevator tower. Actual size is ~8' x 13'. Original was a sketch that was colored in Photoshop. I've only got a digital file of it now; the photos I took on the day it went up turned out too dark and grainy. Better photos of the actual sail to come.

Spreading the Ink

Tried out some pen techniques at work with a few duck and other recent illustrations. I realized I don't really have a good brush for inking; at least it worked for the large patches I had to cover. So, the duck foot was done in the precise, careful inking I normally do, same with the buffalo sculpin. The generic duck was done partially with a brush, and the duck head was done with some looser, more varied strokes. The desert tortoise was a slower process with more detail, but I fiddle with stroke variation on the shell.

Holding onto the Edge

A couple of Gulf of California's critically endangered residents, the vaquita whale and the totoaba fish--both are about the same size at about 6 ft. Overfishing of the totoaba using gillnets have decreased both populations to the point of near extinction. The decreased flow of water from the Colorado River hasn't helped either. Current conservation efforts include the creation of a nature preserve between the Colorado River delta and the upper portion of the Gulf of California.
Originals are 11X14 done in pen and ink for work.

Slither and Slink

Some eels for your viewing pleasure. Eels can be more beautiful, with more complex patterns than you'd think, especially since most people jump to the California moray eel or perhaps the eels in The Little Mermaid when thinking about what eels might look like. They are certainly more diverse in form and pattern than I'd ever thought before seeing so many different species. All in black and white with pen and ink of the species that can be found at the Aquarium of the Pacific.

A Few Sharks

So these are some of the watercolor spot paintings I've been doing at work lately for ID signage. For some reason the "save for web" option in Photoshop always makes the images darker. I understand the more limited color palette, but I'm not quite sure why the colors would be darker overall.
As they are:
sandtiger shark Carcharias taurus
blacktip reef shark Carcharius melanopterus
nurse shark Ginglymostoma cirratum

The Simplicity of Black and White

Been working on images for the volunteer information cards at work. I've forgotten how quick and simple black and white can be, plus I really like working with the ol' croquil and ink bottle. Some microns tossed in as well for the stippling. It's a fairly pleasant way to fill the hours. Besides, I can eliminate any major ink smudges with the erase function in PS. Here are just a few of the images.